{"id":1907,"date":"2014-03-18T12:08:19","date_gmt":"2014-03-18T06:38:19","guid":{"rendered":"https:\/\/yoga.in\/blogs\/?p=1907"},"modified":"2014-03-18T12:08:19","modified_gmt":"2014-03-18T06:38:19","slug":"thoughts-on-drishti","status":"publish","type":"post","link":"https:\/\/yoga.in\/blogs\/2014\/03\/18\/thoughts-on-drishti\/","title":{"rendered":"Thoughts on drishti"},"content":{"rendered":"<p><strong>By Inna Costantini<\/strong><\/p>\n<p><em><a href=\"https:\/\/yoga.in\/blogs\/wp-content\/uploads\/2013\/08\/inna.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1651\" data-permalink=\"https:\/\/yoga.in\/blogs\/2013\/09\/23\/top-10-benefits-of-practicing-mysore-style-astanga-yoga\/inna\/\" data-orig-file=\"https:\/\/yoga.in\/blogs\/wp-content\/uploads\/2013\/08\/inna.jpg\" data-orig-size=\"320,320\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"inna\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/yoga.in\/blogs\/wp-content\/uploads\/2013\/08\/inna.jpg\" data-large-file=\"https:\/\/yoga.in\/blogs\/wp-content\/uploads\/2013\/08\/inna.jpg\" class=\"alignleft  wp-image-1651\" alt=\"inna\" src=\"https:\/\/yoga.in\/blogs\/wp-content\/uploads\/2013\/08\/inna.jpg\" width=\"256\" height=\"256\" \/><\/a>Inna has been practising yoga for over a decade and teaching since 2008. With a background in media, anthropology and a stint in PR, she experimented with a variety of yoga paths, before deciding to trade her desk for a yoga mat, and embark on an intensive yoga training course in India. Inna is fascinated by yoga in all its forms, its effects, and the intricate links between physical and mental well-being. As a teacher, she loves seeing the changes in people, being a witness, an observer and sometimes a guide, and inspiring students and friends to practice, evolve and grow stronger on so many levels. Inna is also a freelance writer and loves sharing her passion for yoga, travel and the environment both off the mat and across the globe.<\/em><\/p>\n<p><a href=\"https:\/\/yoga.in\/blogs\/wp-content\/uploads\/2014\/03\/drishti.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1915\" data-permalink=\"https:\/\/yoga.in\/blogs\/2014\/03\/18\/thoughts-on-drishti\/drishti\/\" data-orig-file=\"https:\/\/yoga.in\/blogs\/wp-content\/uploads\/2014\/03\/drishti.jpg\" data-orig-size=\"550,391\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/yoga.in\/blogs\/wp-content\/uploads\/2014\/03\/drishti.jpg\" data-large-file=\"https:\/\/yoga.in\/blogs\/wp-content\/uploads\/2014\/03\/drishti.jpg\" class=\"alignleft size-large wp-image-1915\" alt=\"drishti\" src=\"https:\/\/yoga.in\/blogs\/wp-content\/uploads\/2014\/03\/drishti.jpg?w=540\" width=\"540\" height=\"383\" \/><\/a><\/p>\n<p>In the practice of yoga, <em>drishti<\/em> is a technique, broadly speaking, of focusing attention, using the eyes to gaze steadily at one point, thus increasing concentration, quietening thoughts and ultimately calming the mind.<\/p>\n<p>On an average day we spend so much time looking \u2013 there is a constant stimulus of the senses and nerve connections, which can be both a source of energy and fatigue. The nervous system can become tired and saturated, and this is especially true when we are bombarded with information, data, lights, people and screens \u2013 essentially anything that comes our way on a daily basis in modern society.<\/p>\n<p><strong><em>Drishti<\/em> in the context of ashtanga yoga<\/strong><\/p>\n<p>The ashtanga system is based on a progressive sequence of postures (<em>asana<\/em>), synchronised with the breath, <em>bandhas<\/em> (energy locks) and <em>drishti<\/em>. The union of these three places of attention is <em>trishthana<\/em>: performed in conjunction with each other they form a powerful practice that increases energy, purifying the body, mind and nervous system.<\/p>\n<p><em>Asanas<\/em> are there to purify, strengthen and give flexibility to the body. The breath connects postures to each other through steady, even inhalations and exhalations: this creates heat and further purifies the nervous system. <em>Drishti<\/em> is the point of gaze in the <em>asana<\/em>.<\/p>\n<p>There are nine <em>drishtis<\/em> (see below): the nose, the space between the eyebrows, the navel, the thumb, the hands, the feet, up, right and left. This practice calms the mind and generates a sense of focus and stability.<\/p>\n<p><a href=\"https:\/\/yoga.in\/blogs\/wp-content\/uploads\/2014\/03\/drishti1.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1920\" data-permalink=\"https:\/\/yoga.in\/blogs\/2014\/03\/18\/thoughts-on-drishti\/drishti1\/\" data-orig-file=\"https:\/\/yoga.in\/blogs\/wp-content\/uploads\/2014\/03\/drishti1.jpg\" data-orig-size=\"500,597\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2&quot;,&quot;credit&quot;:&quot;Nikhil Kripalani&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1390977539&quot;,&quot;copyright&quot;:&quot;all rights reserved&quot;,&quot;focal_length&quot;:&quot;50&quot;,&quot;iso&quot;:&quot;3200&quot;,&quot;shutter_speed&quot;:&quot;0.02&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"drishti1\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/yoga.in\/blogs\/wp-content\/uploads\/2014\/03\/drishti1.jpg\" data-large-file=\"https:\/\/yoga.in\/blogs\/wp-content\/uploads\/2014\/03\/drishti1.jpg\" class=\"alignleft  wp-image-1920\" alt=\"drishti1\" src=\"https:\/\/yoga.in\/blogs\/wp-content\/uploads\/2014\/03\/drishti1.jpg\" width=\"231\" height=\"276\" \/><\/a>According to Sharath Jois of the Ashtanga Yoga Research Institute (the grandson of its founder, late Shri K Pattabhi Jois), the <em>drishtis<\/em> \u2013 or focal points \u2013 are there to develop concentration in one&#8217;s practice: \u201cGazing will help you in many ways \u2013 also in <em>pranayama<\/em> (breath control) it will help you focus and in <em>dhyana<\/em> (meditation) it is very important to focus the attention in one place.\u201d (Souce: Shala conference, 26\/01\/2014) In fact, Mark Darby, a certified teacher and student of late Shri K Pattabhi Jois, notes: \u201cIf drishti cannot be done in <em>asana<\/em> it will also not be possible in <em>pranayama<\/em> and meditation.\u201d<\/p>\n<p>Usually, when teachers speak of <em>drishti<\/em>, they refer to it as a technique to keep the gaze steady and the mind focused. The different gazing points are used as tools to keep one anchored in the present moment, along with the practice of <em>bandhas<\/em> and <em>ujjayi<\/em> breath. But by looking deeper, one may uncover other layers of meaning.<\/p>\n<p><strong>Reasons to practice <em>drishti<\/em>:<\/strong><\/p>\n<ul>\n<li>To maintain focus and concentration both on and off the mat.<\/li>\n<li>To guide the directionality of the pose \u2013 the gaze often relates to a line of energy in the <em>asana<\/em>, and makes the practice fluid. Directionality lies both in the alignment of muscular strength, as well as in the intention of the mind.<\/li>\n<li>To create awareness \u2013 staying still, steady and connected to the moment.<\/li>\n<li>To have an internal gaze: it\u2019s not so much about where one looks, but on more subtle levels about looking inwards, so that one\u2019s concentration will not be troubled by outside influences. This is very important in <em>asana<\/em> as well as <em>pranayama<\/em> and meditation.<\/li>\n<li>To create a meditative state and deepen the connection to different parts of the brain: different <em>drishtis<\/em> may affect different parts of the brain.<\/li>\n<\/ul>\n<p><strong>&#8230;and some precautions<\/strong><\/p>\n<ul>\n<li><strong>Seek to understand the true meaning of <em>drishti<\/em><\/strong>. Beyond the simple gaze, there is a way of seeing. It is more about how we are seeing: the visual part of the brain is at the back of the head, so one point is to encourage a feeling that we are actually seeing from that place.<\/li>\n<li><strong>Switch on \u2013 don&#8217;t switch off<\/strong>. Once in the <em>asana<\/em>, it can be so easy \u2013 especially if you\u2019re proficient in that pose \u2013 to simply &#8216;hang out&#8217; in a shape, whilst blankly looking at a steady point. This is switching off. The whole point of an <em>asana<\/em> practice is to tune in \u2013 and practice fine-tuning those elements that need refining. Whether it is a muscular engagement (or dis-engagement), breath awareness, or making space for the body to be at ease, there are always ways to stay present and active in the <em>asana<\/em>. Failing that, we are just making shapes and looking at our toenails.<\/li>\n<li><strong>Alignment<\/strong> \u2013 look with the eyes not the head and neck. Awareness comes into play once again. As much as we seek to understand the directionality of a pose, and look steadily at a point, can we maintain a sense of openness and space? The eyes may focus, but the neck should remain free and the shoulders broad, hopefully creating space rather that tightness. <sup><a href=\"#fn1\">[1]<\/a><\/sup><\/li>\n<li><strong>Relax the eyes<\/strong>. Looking cross-eyed or zombie-eyed is not, as far as I understand, <em>drishti<\/em>. &#8216;Quiet eyes&#8217; is a perfect description of a manner to practice <em>drishti<\/em>.<\/li>\n<li><strong>Go beyond the gaze<\/strong>. Do not assume you have achieved a pose just by looking in that direction \u2013 <em>drishti<\/em> could be a gateway to a deeper connection with the self. A practice, perhaps of <em>pratyahara<\/em> (withdrawal of the senses). While we gaze at the tip of nose (<em>nasagra drishti<\/em>) we are not simply looking at a place, but we are perhaps using the eyes as a window into our soul&#8230;<\/li>\n<\/ul>\n<p>Interestingly however, some have offered other views on the concept of <em>drishti<\/em>. Manju Jois (Shri K Pattabhi Jois\u2019s son) highlighted that ashtanga yoga was originally taught to young children, and the gazing points were given to stop them from looking around the room. For instance, in <em>adho mukha svanasana<\/em> (downward dog), they would be instructed to look at their navel as a way to keep them focused.<\/p>\n<p>Besides, it is important to note that specific <em>drishtis<\/em> in <em>asana<\/em> have altered slightly over time. For instance, in the current system of ashtanga yoga, the gazing point for <em>pachimottanasana<\/em> (forward bend) is the toes, but Krishnamacharya (in the Yoga Makaranda) said it was the tip of the nose, while the late Shri K Pattabhi Jois is said to have added the following direction: \u201dFace down, look at nose centre\u201d.<\/p>\n<p>So as much as <em>drishtis<\/em> are there to help us focus and bring us deeper within the practice, one must be able to understand the effects of the eyes on overall posture and alignment. A simple shift of the gaze may be so much more than just mere looking.<\/p>\n<p><strong>The 9 <em>drishtis<\/em> of the ashtanga yoga system<\/strong><\/p>\n<p>Urdhva Drishti \u2013 looking up.<br \/>\nBrumadhya Drishti \u2013 third eye<br \/>\nNasagra Drishti \u2013 tip of nose<br \/>\nParsva Drishti \u2013 right side<br \/>\nParsva Drishti \u2013 left side<br \/>\nNabhi Drishti \u2013 navel<br \/>\nHastagra Drishti \u2013 tip of middle finger<br \/>\nAngusta Drishti \u2013 tip of thumb<br \/>\nPadagra Drishti \u2013 tip of big toe<\/p>\n<div style=\"border-top:1px solid #000;font-size:13px;\"><a id=\"fn1\"><\/a> [1] The direction and tensions created by the gaze has a profound effect on the alignment of the body, so it is very important to understand how to achieve the gaze. The gaze should always be soft, never done with tension. Understand that if you just look up, you are most likely going to crunch your neck and create a pressure in the lower back. If you extend your gaze as if lifting your eyes to the ceiling, your spine will follow, allowing extension rather than compression. In the same way if, in a deep forward bend, you look at your toes, your neck will be placed in a compromised position, creating pressure in your neck. Keeping the neck long with the forehead touching the knee or shin, the gaze should be at the nose centre. This will maintain the alignment of the head, shoulders and spine. One could then, without moving the position of the head, take the gaze and look toward the third eye, the point between the eyebrows. (Mark Darby, Sattva Yoga Shala, Montreal.)<\/div>\n<p>&nbsp;<\/p>\n<p><strong>Special thanks:<\/strong><br \/>\nWith gratitude to Mark Darby, Hamish Hendry and Norman Blair for their valuable input.<br \/>\nPhotographs by Nikhil Kripalani.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Inna Costantini Inna has been practising yoga for over a decade and teaching since 2008. With a background in media, anthropology and a stint in PR, she experimented with a variety of yoga paths, before deciding to trade her desk for a yoga mat, and embark on an intensive yoga training course in India.&hellip;<\/p>\n<a class=\"read-more-link\" href=\" https:\/\/yoga.in\/blogs\/2014\/03\/18\/thoughts-on-drishti\/ \">Read More<\/a>","protected":false},"author":52586621,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_uag_custom_page_level_css":"","_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[185104493,494583],"tags":[92886,151746338,364225,78011,6366106],"class_list":["post-1907","post","type-post","status-publish","format-standard","hentry","category-yoga-ashrams-centers-and-schools","category-yoga-philosophy","tag-ashtanga-yoga","tag-ashtanga-yoga-in-mysore","tag-drishti","tag-mysore","tag-pattabhi-jois","col-sm-6"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"newspack-article-block-landscape-large":false,"newspack-article-block-portrait-large":false,"newspack-article-block-square-large":false,"newspack-article-block-landscape-medium":false,"newspack-article-block-portrait-medium":false,"newspack-article-block-square-medium":false,"newspack-article-block-landscape-intermediate":false,"newspack-article-block-portrait-intermediate":false,"newspack-article-block-square-intermediate":false,"newspack-article-block-landscape-small":false,"newspack-article-block-portrait-small":false,"newspack-article-block-square-small":false,"newspack-article-block-landscape-tiny":false,"newspack-article-block-portrait-tiny":false,"newspack-article-block-square-tiny":false,"newspack-article-block-uncropped":false,"ippo-archive-featured-image":false,"ippo-carousel-slider-image":false,"ippo-sticky-featured-image":false,"ippo-single-featured-image":false,"jetpack-portfolio-admin-thumb":false},"uagb_author_info":{"display_name":"yoga.in team","author_link":"https:\/\/yoga.in\/blogs\/author\/yogainteam\/"},"uagb_comment_info":1,"uagb_excerpt":"By Inna Costantini Inna has been practising yoga for over a decade and teaching since 2008. With a background in media, anthropology and a stint in PR, she experimented with a variety of yoga paths, before deciding to trade her desk for a yoga mat, and embark on an intensive yoga training course in India.&hellip;","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pfTPB5-uL","jetpack-related-posts":[],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/yoga.in\/blogs\/wp-json\/wp\/v2\/posts\/1907","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yoga.in\/blogs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yoga.in\/blogs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yoga.in\/blogs\/wp-json\/wp\/v2\/users\/52586621"}],"replies":[{"embeddable":true,"href":"https:\/\/yoga.in\/blogs\/wp-json\/wp\/v2\/comments?post=1907"}],"version-history":[{"count":0,"href":"https:\/\/yoga.in\/blogs\/wp-json\/wp\/v2\/posts\/1907\/revisions"}],"wp:attachment":[{"href":"https:\/\/yoga.in\/blogs\/wp-json\/wp\/v2\/media?parent=1907"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yoga.in\/blogs\/wp-json\/wp\/v2\/categories?post=1907"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yoga.in\/blogs\/wp-json\/wp\/v2\/tags?post=1907"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}